Wednesday, September 11, 2013

Rizzoli & Isles 4x12 Partners in Crime review

Can somebody please stop this merry-go-round? I really want to get off. It’s making me extremely dizzy.

* the Jasey Merry-go-Round

It’s the annoying Jane/Casey dance. Some call it “Jasey” but I just call it nauseating. Maybe it’s because ‘badass’ Jane is always the one protecting everyone else, and it becomes unbelievable when we see her being vulnerable when it involves Casey.

For the record - I really DO like Casey, or maybe I should clarify that a bit further and say that I really do like Chris Vance. The problem I have is with the relationship that Jane & Casey have. Jane is like a marionette, with Casey always pulling the strings.

Casey is a solider – basically, a self-professed ‘career’ soldier.

Jane is a homicide detective, and as she once said, “I’m practically a soldier myself.”

Casey comes back to town, he does some sweet things, he says some sweet lines, and then he’s off again, having no idea just what it does to Jane.

Jane, the badass detective/protector in all other aspects of her life, always melts over his sweetness. Then she seems relieved after he’s gone again. I think she feels relieved because she doesn’t have to play the loving/supportive significant other and can just be herself when he’s gone. Well that, and having Maura around to ‘pick up the pieces’ too.

Now, he’s given her the choice of “marry me, or I’ll leave again” – even after he told her that it’s his goal to become a general – which means that 1) he probably won’t be happy if he gives up his commission just to be with Jane. 2) even if she says ‘yes’ he may not give up that life anyway. And we know Jane won’t be totally happy even if she says ‘yes’. In this episode, she couldn’t even take a day off work to spend with him, using the excuse that she loves her work (which she does). This does not bode well for a close relationship.

Hey, even Mama R doesn’t approve of the relationship.
A: oh, for crying out loud, Jane. That’s disgusting!

LOL Gotta love that woman even more!


* Doyle Family Drama

on the flip side, we have Maura, who is trying so hard to find at least one blood relative who wants to have a constant relationship with her. In this episode, we are introduced to Patrick Sr – the man who would have killed Hope when she was pregnant with Maura. You know, as much as I love the Rizzoli family and their interaction, I’m really starting to love the extreme disfunction of Maura’s bio-family.
-  -  -  -  -
M: hello, Mr Doyle. I’m…
P: I know who you are. You look like that, uh, that woman that Hope.
M: she’s my biological mother. I’m Doctor Maura Isles.
P: biological. You put a lot of stock in that, do ya? Biology. Are you gonna tell me that you’re, uh, Paddy’s daughter? Because my son knocked up some college girl? You should have never seen the light of day.
J: put him back, Maura.
P your girlfriend’s right. Listen sweetheart, leave me here. I like it here. I don’t want anything to do with you.
J: great. Sit here & rot. Maura, let’s go.
Guard: oh no you don’t
J: oh yes, we do.
Guard: you signed the paperwork. Patrick Doyle’s not our problem anymore. He’s all yours.

I can hear the entire fandom cheering Grandpappy Doyle for calling Jane Maura’s girlfriend. It was interesting how he immediately picked up on Maura’s emphasis on biological. If I didn’t immediately like the guy, I would have kicked him in the nuts for dissing his granddaughter at first sight.
-  -  -  -  -  -
J: Paddy asked her to take you.
P: he what? He’s punishing me. I wanted to stay where I was. I told him…he put me outside because he wants to see me die as a nobody.
J: maybe he put you out here so you could see the one good thing he’s done…Maura.

Aww. Sticking up for the LLBFF again. I like how Jane’s trying to get Patrick to see what a great person his granddaughter really is.
-  -  -  -  -  -
P: you look JUST LIKE Paddy right now. Maybe there is something to this…biology thing. 

I hope we get to see Maura visiting Patrick Sr occasionally now. I’m not holding my breath, considering how bad this show can be with continuity.
-  -  -  -  -

It did upset me a bit to see the address of the letter that Paddy sent to Maura.

From:
Patrick Doyle Jr
FDC Philadelphia
Federal Detention Center
P.O. Box 562
Philadelphia, PA 19105

To:
Maura Isles
5801 Pickney St
Boston, MA 01224

They’ve stuck Paddy in Philly? Really? Did they have to send him so far away? So that means no prison visits anytime soon, I guess. Damn!
-  -  -  -  -

* The evolution of Detective Frankie Rizzoli

I love how they’re bringing Frankie along and learning the detective ropes. First we seeing his eagerness in autopsy, when he’s expecting the bullet to already be retrieved from the victim, even though the corpse just arrived in autopsy. Then he asks Jane what he should do next when waiting for ballistics. Later on, they have him working on notifying the relatives of the death of a loved one.

I found it interesting that Frost called Jane to relay the info from his & Frankie’s crime scene. Wouldn’t Frost & Frankie work their own scene, until they discovered that the two cases were related? It’s strange how everything goes through Jane. It should be going through Cavanaugh.


* Be my guest

I almost didn’t recognize him with the bad hair & facial hair, but Mackenzie Astin made an appearance in this episode as the husband (Rick Clark). He’s come a long way from cute little Andy on The Facts of Life.

And then there’s David Blue, who was Eli on Stargate Universe. I wish he’d have had a bigger role.

And how about the casting of Richard Herd as Patrick Doyle Sr.? He really looks a lot like John Doman. Although, his bushy eyebrows kind of scare me.



Rizzles, sweet Rizzles

-  -  -  -  -
J: still ruminating over your messed-up family?
M: Paddy Doyle isn’t my family. But he is part of my genetic makeup, as is my grandfather. And I want to meet him.
J: oh, so now you’re Heidi & you’re going to climb the Alps with gramps & feed the goats

Again with Jane getting in jibes about Maura’s bio family.  After all this time, Jane should know how much it means to Maura to learn new things about her blood relatives.

-  -  -  -  -
J: how’d Frankie do at the scene?
M: good. Very composed. But, he had a good teacher.

Awww. I love the LLBFF compliments.
-  -  -  -  -
J: I need Frost’s magic fingers. Rhonda & Rick Clark were both experts in Anime, whatever that is.
M: the study of social instability. Environment has a significant effect on genetic expression.
J: one more reason to be thankful that Paddy Doyle didn’t raise you. … so she was about to get tenure and he wasn’t.
M: well, that will put a strain on a marriage of academics. Sayer’s law. The politics of a university are so intense because the stakes are so low.
J: it seems so surprising that even smart people can’t get it together.
M: why is that surprising?
J: I just can’t understand why you would even lift a finger to help him.
M: well, I…I could say it’s the compassionate physician in me, but the truth is, I’ll never not be Paddy Doyle’s daughter. I just want to know where he came from.
J: why?
M: why does anybody trace their heritage.

It surprises me that Jane can’t understand Maura’s need to find out who she really is.
-  -  -  -  -  -


M: are you looking through my personal files?
J: well if you don’t want anyone looking, don’t label them ‘personal.’
M: ‘personal’ – related to one’s private affairs.
J: you got Patrick Sr’s medical records? ‘congestive heart failure, arthritis, emphysema…this man needs assisted living, Maura, you can’t take this on.
M: it’s temporary, Jane.

I’m reminded that there’s nothing too ‘personal’ or ‘private’ that the LLBFF can’t touch.

It also reminded me of a comment from Women’s Murder Club, where Claire was looking through a victim’s laptop. “He labeled a file ‘discrepancies’, not very subtle.”

-  -  -  -  -
They know each other’s tells:
J: you have a tell when you’re head’s not in the game
M: I don’t know what you mean.
J: ‘pink froth’? not psydoplastics hematoma liquidity at a cellular level?
M: no!
-  -  -  -  -

J: did you get Frankie’s bullet out?
M: yes. And your mother hates me.
J: No. she loves your guest house…and you too.
M: she hardly said one word to me.
J: well enjoy the silence for a while. She’ll be fine, unless Patrick puts a hit out on her.
Maura gives her a look
J: too soon?
M: you have a tell too.
J: and what is my tell?
M: your jokes get a little edge when something’s bothering you.

Awww.  See, the LLBFF always knows the most obscure details. 

K: Bruno. He looks nice.
J: mmm, yes he does. Did you just make an online dating loveconnection?
K: funny. I’m pulling up all the registered German Shepherds. I always wanted one. The good ones are always direct & honest, but not hostile like you.
J: (laughs) thank you. I’m sorry I made a joke. Is that my tell?
K: your what?
F: what tell?
J: you have no idea what I’m talking about do you?
K: is this a trick question?
J: I’m so thankful that some of the people I work with are guys.

ROFL It’s cute how Frost & Korsak have no clue. See Jane, only the LLBFF knows these things!

-  -  -  -  -  -
J: I could have totally taken a day off today and I didn’t. You wanna know why?
M: yes I do know why. Because you love solving homicides. You love your work.
J: yeah, and I can’t tell him that, I feel guilty. Besides, the guy’s been in town 10 hours and he’s already washed my underwear. My thongs, Maura.
M: that’s awkward.
J: yeah. Tell me about it. and he cleaned out my refrigerator.
M: now that I approve of. There are altrinaria spores and maybe risopuss in your pastrami. (they laugh) Jane, this isn’t about Casey, it’s about you.
J: yeah, it is. I can’t be me and be his too.
M: go tell him
J: how do people make this work? I mean, I love him. I want him to stay, and I want him to go.
M: those are mutually exclusive desires.
J: yes, this much I know, Maura.

Need I mention that Jane & Maura usually make it work between them. I love Jane’s comment that she can’t be herself and be Casey’s too. It’s true, because we always see her as a different person when she’s with him. That should be her first clue.
-  -  -  -  -  -

I had to chuckle at Jane saving the bottle of 2007 ketchup from the trashcan. At least he didn’t throw out Maura’s jar of marmite.
-  -  -  -  -  -

M: they’re releasing him in two hours. I can’t face him alone
K: I can go to BCU alone. Maura can’t go to Souza Baranowski Prison alone. Go Jane.
J: oh, the things I do for you.

All together now. Awwww. Makes me love Korsak even more (if that’s possible)
-  -  -  -  -  -
J: don’t get too friendly, he’s not moving in with us.

Why do I get the feeling that she meant her & Maura, not her & Casey?
-  -  -  -  -  -

A few other notes:
I find it interesting that they’re doing more scenes featuring live video from phones and ipads – like they did here with Jane talking to Frostie while they were at their scene, and giving her details.

When Korsak was talking about the great qualities of the German Shepherd, it brought back wonderful memories of my childhood. I grew up on a farm, and we had a German Shepherd for many years, as well as a few others.





Mid-season review - or is it 3/4 season, since it’s 12 of 16 episodes?

Maybe I’ve just watched too many crime shows over the years (particularly CSI), but it seems that lately I’ve been seeing too many comparisons in storylines and predictable outcomes to even be entertained.

I’ve found myself saying “CSI did that” a lot while watching Rizzoli & Isles – and more frequently in this season.

* the “Strangers on a train” scenario (in this episode) – CSI did that in season 3

* a main character discovering that a mob boss is her bio dad (Maura/Paddy) – CSI did that with Cath/Sam

* a long-distance relationship (Jane/Casey) – CSI did that with Sara & Grissom (which ended up being the downfall of the show, in my opinion)

* two different homicides that end up being connected – CSI did that ad nauseam.

* a serial killer focused on a main character (Jane/Hoyt & Maura/Dennis)– CSI did that numerous times (Millander was good, the rest were not)

* main characters in peril (Jane/Hoyt, BPD hostage crisis, Frost/Tommy/TJ building collapse, Maura/Dennis, Korsak/psycho killer) – CSI did that ad nauseam (don’t even get me started with the CSI-in-peril stories)

* continuity only when it suits the story – CSI was really good at that (remember Sofia’s sudden, unnoticed departure?) For R&I, do they even remember they had started a storyline that had Sister Bitcher setting up camp in the bullpen? Then “poof” – gone without a trace.


There are many things that Rizzoli and Isles has done right.

* focusing on the relationships and having them outweighing the crimes – because, let’s face it, as I’ve already mentioned, the crimes have all been done before. People watch this show for the characters and their interactions, not the dead bodies and their stories.

* the Rizzoli family interaction (although I’m not sure that making Papa R an ass would be a highlight)

* the Jane/Korsak/Frost/Frankie interaction

* Maura’s search to have a meaningful relationship with anybody who would be a blood relative.


What I’d love to see:

* bring Tommy, Lydia and TJ more into the picture, as well as Cavanaugh. Brian Goodman is in the main credits, so give him more of a consistent role. I remember back to NYPD Blue episodes where Lt Fancy was always being updated on the cases and giving helpful hints. Plus, they’ve got Cavanaugh in a relationship with Angela, so bring that forward. Seeing that relationship develop would be more preferable than all of the Jane and Maura “beard-of-the-week” merry-go-rounds that we get stuck with.

* here’s a novel concept – bring us episodes with more than one case…and the cases AREN’T connected! How about that?!

* continue with the Doyle family saga (and don’t forget about the Isles’) – I love the episodes that feature Paddy, and after seeing (and loving) Patrick Sr, I’d love to have the story of Maura’s bio-family evolve. Bring back Cailin more frequently. After all, the last we saw, she was staying with Maura for three weeks. Give Maura that sister relationship to hang on to. And for god’s sake, PLEASE bring back Constance, and introduce us to Mr Isles sometime soon.


* while I’m begging for characters to return, I might as well put in another request to bring back Riley. 

Let's end with some caps:
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